The Times newspaper published a review of the Little Boots gig in Leeds -
“At the centre of the backdrop a giant skull gazed forebodingly over the throng. On the skittering Gothic spook-pop of Ghosts it established the requisite emotional temperature. As Hesketh shed her back shroud to reveal an all-gold outfit in the opening chords of New in Town, the skull responded accordingly, beaming rays of multicoloured light on to her back. However, the pièce de résistance came when the lights dimmed to reveal an arc of eight laser beams which, when intercepted by Hesketh’s hands, played different notes.
The laser harp — an innovation that seemed like a rich pop star’s folly when Jean-Michel Jarre popularised it — looked like far more fun in the hands of a 24-year-old from Blackpool who claimed to have only assembled it days before the show. As Hesketh navigated a procession of space-age whooshes into the sherbet-scented explosions of her breakthrough hit Remedy — audience-assisted oh-ah-ohs and all — she seemed to switch gear both musically and emotionally. Performing Kate Bush’s Running up that Hill alone on the piano, she was a revelation, replacing the song’s predatory thunder with an autumnal, childlike vulnerability.”
She really is rather good y’know…
Any friend of the Stylophone is a friend of mine.